Michael Winterbottom has certainly enjoyed an eclectic directorial career. And while his subjects have been as diverse as the Bosnian War in “Welcome to Sarajevo,” the Manchester music scene in “24 Hour Party People” and the plight of Gitmo inmates in “The Road to Guantanamo,” his work has always paid particular attention to the human aspect of the story. Family relationships form the crux of his latest picture, “Genova,” as he delivers an intimate portrait of the dynamics of a family dealing with loss, youthful rebellion, guilt and cultural change.
crash/burn 