Revisiting the Alien universe was always going to be a risk for Ridley Scott. Alien was the film that cemented his reputation as a visionary auteur and is rightly regarded as a classic, a sublime example of atmospheric horror. Three sequels of varying quality established a sprawling world, one that Scott had long hinted that he was interested in exploring further, his interest particularly piqued by the mysterious Space Jockey, whose fleeting glimpse in his original work posed questions that have never been answered. Whilst Prometheus puts that quandary to bed, its ambitions and scale are far loftier than merely acting as a prequel to the series, which proves to be a refreshing yet frustrating approach.
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