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Visions of Ecstasy FINALLY granted 18 certificate

1 Feb

The BBFC blearily rubbed their collective eyes today as they emerged uncertainly into the 21st century by granting controversial short film Visions of Ecstasy an 18 certificate without cuts.

Nigel Wingrove’s 1989 short  was banned upon its release under blasphemy laws for depicting Spanish nun St Teresa of Avila engaged in compromising clinches with Jesus on the cross.  With the axing of the archaic blasphemy laws in 2008, the risk of any libel action against Wingrove was effectively negated, yet it has still taken almost four years for the BBFC to renege on their initial judgement, partly because Wingrove was initially reluctant to resubmit the work for approval.

Who even knew Nunsploitation was a genre?

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DGA & SAG awards: confounding or confirming Oscar expectations?

31 Jan

So, this week it was the turn of Hollywood’s directors and actors to imply where they want the big Oscar prizes to end up, as the Directors Guild of America and the Screen Actors Guild held their respective back slapping ceremonies in LA.

Surprises were somewhat thin on the ground at the DGA gig, with The Artist’s Michel Hazanavicius landing the coveted Outstanding Directorial Achievement in Feature Film prize.  Although Hazanavicius was cruelly denied the Golden Globe by Martin Scorcese for Hugo, this latest accolade effectively confers favourite status on both Hazanavicius for Best Director and Best Picture for The Artist.

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THE LOWDOWN WEEK 3

30 Jan

It seems that nary has a week gone by when we haven’t been treated to a combination of potential classics and absolute stinkers at the box office. This week (and very much on the plus side) Oscar hottie The Descendants washes up on our very un-Hawaiian shores, the suitably snowy Liam Neeson extravaganza The Grey crash lands and an ocean separates young lovers in Like Crazy. Shonky alternatives arrive in the form of Brit flick Mercenaries and Clive Owen horror vehicle Intruders.

With The Artist having scooped just about every award going so far this season, one could be forgiven for assuming that the Oscars are a foregone conclusion. 2011 was hardly a vintage year and with the likes of War Horse, The Help and the nonsensical Extremely Loud and Incredibly Close on the Best Picture shortlist, competition seems sparse.

TheDescendantsPoster

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Gremlins Exorcised

30 Jan

Hi all, we’ve had a few…

…in the system the last few days, BUT they have been well and truly…

….so we’re BACK and this time it’s…

The Artist maintains awards momentum

23 Jan

On the eve of the announcement of this year’s Oscar nominations, The Artist has muscled its way into a seemingly unassailable position as the firm favourite for Academy glory.

Adding to its clutch of Golden Globes and success at the London Film Critics’ Circle awards, The Artist  landed the portentous Producers Guild award, an accolade that has been afforded to the past four Best Picture winner at the Oscars.  It then swiftly added to its burgeoning trophy cabinet by snaffling the  UK Regional  Critics’ Film of the year award.

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THE LOWDOWN WEEK 2

23 Jan

In the midst of awards season, there invariably emerge a few gong hungry stinkers that spoil the party. This week perhaps sees the most flagrant of this year’s bunch with the release of Clint Eastwood’s J.Edgar, a biopic of the FBI’s “is he gay or isn’t he” founding father J.Edgar Hoover. We’re also treated, in the loosest sense of the word, to Madonna’s second directorial feature, W.E., Steven Soderbergh’s kick ass pic Haywire which can only be an improvement on the woeful Contagion which he inflicted upon us with last year and Ralph Fiennes’ take on Shakespeare’s epic tragedy Coriolanus.

London Film Critics’ Circle awards nail it: Almost

20 Jan

The Artist cemented itself as the Oscar frontrunner at last night’s London Critics’ Circle awards, picking up prizes for film of the year, best director for Michael Hazanavicus and best actor for Jean Dujardin.

It continues the run of awards success that the silent film has enjoyed in recent weeks, having scooped three Golden Globes last weekend.  Its only apparent competition for Academy glory, the Alexander Payne film The Descendants, which also scored three globes, drew a telling blank.

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What’s wrong with BAFTA?

18 Jan

With the nauseatingly inevitable damp squib that was The Golden Globes boring us all to tears over the weekend, the awards season is most definitely now in full swing.

This week though marks  the turn of the Brits to have their say, or to at least announce their nomination shortlists as both BAFTA and the Evening Standard did yesterday.

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Avatar 2? NFM

16 Jan

And so first the good news, Avatar 2 has been delayed until 2016. The bad news is that it hasn’t been cancelled altogether.

The inevitable follow up to James Cameron’s unfathomably successful 2009 picture, which by all accounts accrued $2.8 billion at the box office, was originally mooted for 2014, with a third instalment due in 2015.

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THE LOWDOWN

13 Jan

The New Year brings with it a comprehensive push from the studios of those films deemed likely contenders during awards season. Front runner The Artist snuck in just before Janus said goodbye to 2011 and hello to 2012, but the first two weeks of the year will reward cinema goers with Meryl Streep’s uncanny Maggie Thatcher, Steve McQueen’s uncompromising tale of sex addiction and Spielberg’s equine adventure. All are expected to perform admirably.

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