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Girl Model (2012)

19 Jan

Working for the Skin-Deep Trade

The dichotomous nature of the modelling industry is brutally exposed by documentarian duo David Redmon and Ashley Sabin in this stark expose of the realities of the business.  It’s a bleak and damning indictment of a trade that shatters any glamorous or aspirational illusions that may have still surrounded it, instead revealing it to be as sordid as many might have suspected.

Redmon and Sabin’s focus rests on the unsettling underbelly of the market that exists between Russia and Japan.  A casting call in deepest Siberia has incredibly young girls in their hundreds lined up and ushered around like livestock to be inspected, photographed and approved for effective export to the apparently lucrative Japanese market, which has very specific requirements for very fresh faces.

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THE LOWDOWN

13 Jan

The New Year brings with it a comprehensive push from the studios of those films deemed likely contenders during awards season. Front runner The Artist snuck in just before Janus said goodbye to 2011 and hello to 2012, but the first two weeks of the year will reward cinema goers with Meryl Streep’s uncanny Maggie Thatcher, Steve McQueen’s uncompromising tale of sex addiction and Spielberg’s equine adventure. All are expected to perform admirably.

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Shame (2011)

12 Jan

Having forged such an effective working relationship on Hunger, Shame reunites McQueen with the megalithic Michael Fassbender for his second directorial feature. Fassbender, who so elegantly portrayed Bobby Sands in McQueen’s debut Hunger, plays Brandon, a bored New York yuppie who indulges in his burgeoning sex addiction at any given opportunity.

Brandon lives a repetitive, unfulfilling life, the tedium of his corporate desk job only interrupted by visits to prostitutes and continual masturbation. He’s a haunted soul, utterly consumed by his craving for sexual satisfaction, with Harry Escott’s haunting score testament to his internal conflict and strife.

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