Retreating into dark shadows and having a private but very audible sob was my reaction to watching the trailer for Tim Burton’s latest catastrophe. Johnny Depp and Helena Bonham-Carter have shown Burton unrivalled loyalty in recent years (one senses they’re in on some sort of terribly unfunny joke) as he slowly undoes any of the good will that his early work may have garnered with clangers following swiftly on from stinkers. The fact that Dark Shadows shows little sign of breaking that run means that save for Corpse Bride, Burton hasn’t made a good film since Mars Attacks in 1996 and even that was iffy at times.
24 Hour Party People (2002)
13 May
And tonight something equally epoch-making is taking place. See? They’re applauding the DJ. Not the music, not the musician, not the creator, but the medium. This is it. The birth of rave culture. The beatification of the beat. The dance age. This is the moment when even the white man starts dancing. Welcome to Manchester.
From the Archives: Wah Do Dem (2009)
12 MayGuerrilla indie filmmaking meets slacker road movie, “Wah Do Dem” is a well crafted black comedy that benefits from its raw, improvisational feel. Conceived when young filmmaking duo, Ben Chace and Sam Fleischner decided to turn a cruise Chace had won in a raffle into a film project, “Wah Do Dem” follows the hapless Max (a well observed Sean Bones) as he embarks on a cruise from New York to Jamaica and subsequently stumbles from one misfortune to the next. It’s a touching and sometimes farcical tale that touches on cultural isolation, loneliness and how desperate situations can sometimes be a blessing in disguise.