Director Christopher Smith is slowly emerging as one of the most interesting young filmmakers currently operating in the thriller-horror genre. Having cut his directorial teeth on the superbly spooky London Underground-set “Creep,” Smith changed tack with his follow-up, “Severance,” a grisly horror-comedy. Subverting the genre is clearly something Smith seems particularly comfortable with, even intrigued by, so it should come as no surprise that his latest offering, “Triangle,” ventures rather neatly into psychological thriller territory, albeit with a delicious twist.
crash/burn 